Metropolis Black
I have a Black Leather mini skirt and black leather high cut boots. What kind of shirt should I wear with this
I am going out dancing with my husband tonight. I need tips really fast. We are going to a bar in Metropolis. Lots of people
Sorry, I don’t have an answer. Just enjoying the imagery. ;o)
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CROSS Metropolis Mechanical Pencil * BLACK & 23K GOLD $39.95 |
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CROSS METROPOLIS BLACK & GOLD PEN & 0.5mm PENCIL NEW IN BOX MADE IN USA $359.00 |
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CROSS METROPOLIS BLACK & GOLD BALLPOINT PEN NEW IN BOX MADE IN USA $299.00 |
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CROSS METROPOLIS JET BLACK ROLLERBALL PEN NEW IN BOX MADE IN USA NOT CHINA $34.98 |
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CROSS METROPOLIS PLUM & CHARCOAL BLACK PEN NEW IN BOX $32.95 |
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CROSS METROPOLIS BLACK BALLPOINT PEN NEW IN BOX RARE MADE IN USA $24.98 |
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CROSS Metropolis Pen & Pencil * BLACK & CHROME * New $99.95 |
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CROSS METROPOLIS BLACK PEN & PENCIL SET NEW IN BOX $115.95 |
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CROSS METROPOLIS BLACK CHROME ROLLER BALL NEW IN BOX $105.00 |
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Cross Metropolis Black/Black Retractable Ballpoint Pen $16.99 |
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CROSS METROPOLIS BLACK & CHROME LAQU BALLPOINT PEN NEW $49.90 |
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CROSS METROPOLIS JET BLACK ROLLER BAL PEN NEW IN BOX $55.90 |
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CROSS METROPOLIS 325-3 ROLLERBALL pen Gold Black Laquer $154.95 |
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CROSS METROPOLIS JET BLACK BALLPOINT PEN NEW IN BOX $39.98 |
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Cross Executive Series black Metropolis pen pencil set $89.00 |
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Cross Executive Series black Metropolis pen pencil $280 $89.00 |
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Cross Metropolis Black/Black Capped Med Ballpoint Pen $15.99 |
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CROSS METROPOLIS BLACK LAQU & CHROM PEN SET NEW IN BOX $125.00 |
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Cross Metropolis ballpoint pen black and plum lacquer 312-6 $54.00 |
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CROSS METROPOLIS BLACK & GOLD ROLLERBALL PEN NEW IN BOX MADE IN UNITED STATES $229.00 |
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CROSS METROPOLIS BLACK BALLPOINT PEN NEW IN BOX RARE $35.98 |
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Cross Executive Series Metropolis Black Rollerball pen $34.99 |
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CROSS METROPOLIS BLACK & GOLD 0.5mm PENCIL NEW IN BOX $199.00 |
Something I Said-President Obama Should Pardon Mumia Abu-Jamal
Something I Said – Pardon for Abu-Jamal
Dwight Hobbes
MN Spokesman-Recorder The legal lynching of Mumia Abu-Jamal grows nearer. For those to who the name does not immediately ring a bell, Abu-Jamal was convicted in 1981 of murdering Philadelphia police officer Daniel Faulkner. He was convicted in a kangaroo court so blatantly rigged against him as to be absurb. From manufactured testimony and evidence to witness intimidation and manipulation, not to mention a demonstrably biased judge, the case clearly was without merit. Mumia Abu-Jamal couldn’t've been more obviously framed if he was a picture hanging on a wall at the Louvre. January 19th of this year, the U.S. Supreme Court threw out a federal appeals court ruling that had overturned his sentence. So, he is once more condemned to die. Exactly when they will get the needles ready hasn’t been established, but, the point is that the way, indeed, has been cleared to kill him. For something everyone who so much as glanced at the circumstance knows he didn’t do. The Philadelphia Police Department and the Philadelphia City Attorney’s Office took out after Mumia Abu-Jamal with a seething vengeance that goes beyond merely the usual indifference toward Black life you find in a supposedly modern American metropolis. They had it out for him because he was a former Black Panther, member of MOVE and an outspoken, public radio journalist who despised and decried the institutionalized racism by which Philadelphia police and halls of justice characteristically spied on, harassed and otherwise hounded Black citizens to the extent of literal persecution. When Abu-Jamal was discovered wounded at the site where Office Faulkner was slain, the cops decided this was there shot. This was their golden opportunity to get rid of this uppity you-know-what. And they went about with such rushed vehemence that they did a job of it so sloppy, they had to contradict – and, of course, change — the report of a cop on duty whose account basically cleared Abu-Jamal. Look the whole thing up. There’s even at least one book on it. With the City of Brotherly Love being hell-bent on hanging this brotha, this is the time for our brightly shining, new and improved head man in charge, President Barack Obama, to get off the pot, pull a pen out of his meticulously crisp shirt pocket and get one of those presidential pardons out of his desk drawer. It is time for him to start acting like a Black men with some sense and self-respect, not just the latest token towing a line for the image of Blacks who want to be considered among “the good ones” in White America’s eyes. If there was ever damned good reason for him to stop shucking and jiving, get off the fence and quit worrying about pleasing White folk, this is it. It is, by the way, not only Black Americans who have been raising hell and lodging protest over this railroading. There’s been White folk, too, from clear around the other side of the planet that know something wrong when they see it and have joined in to lift their voices against systemic evil. So, if Obama – like how he copped out on Henry Louis Gates, Jr. – doesn’t want to be seen as being overly interested in doing right by Black citizens, he can always pardon Mumia Abu-Jamal on general humanitarian grounds. He can make a qualifying statement to the effect that he’s responding to White calls for justice and not just acquiescing to Black sentiment. Anything. Whatever reason, excuse or rationalization he makes, he’s a sham, nothing but a bill of goods, just some well-dressed, slick-talking Sambo if he doesn’t grow a pair and stand between Mumia Abu-Jamal and a lynch rope.
About the Author
Twin Cities Daily Planet articles archived at
www.tcdailyplanet.net/profiles/dwight-hobbes. Dwight Hobbes has written for ESSENCE, Reader’s Digest, Washington Post, Minneapolis Star Tribune, St. Paul Pioneer Press, City Pages, Mpls/St. Paul, MN Law & Politics, Pulse of the Twin Cities, Twin Cities Daily Planet, Women & Word, San Diego Union-Tribune and Minnesota Spokesman-Recorder (where he contributes the commentary column Something I Said). He’s spoken his mind over National Public Radio, Minnesota Public Radio, Blog Talk Radio’s UNOBSTRUCTED and KMOJ in Minneapolis and St. Paul. Was regularly featured as guest commentator on NewsNight Minnesota (KTCA-Minneapolis/St. Paul) and Spectator (Minneapolis Television Network). His monthly column “Hobbes In The House” in MN Spokesman Recorder speaks to domestic abuse and rape. His plays are Shelter – produced at Mixed Blood Theatre by Pangea World Theater, Dues – produced by Mixed Blood Theatre, University of Southern Illinois in Point of Revue, selected for Bedlam Theatre’s 10-Minute Play Festival and published by Playscripts, Inc. You Can’t Always Sometimes Never Tell – produced by Theater Center Philadelphia, Long Island University, reading at The Kennedy Center and published in the anthology CENTER STAGE, In the Midst – produced by Long Island University, starring Samuel E. Wright. Hobbes spoke on the panel “Farewell To August Wilson” at the Guthrie Theater, broadcast on Conversations With Al McFarlane (KFAI, KMOJ). Singer-songwriter Dwight Hobbes recorded the single “Atlanta Children” (BeatBad Records) and gigged 10 years in the Long Island/NYC area, including The Other End, Kenny’s Castaways and My Fathers Place. He fronted the Boston blues band Midlight. In Minneapolis, Hobbes opened for David Daniels at First Street Entry, James Curry at Terminal Bar, sat in with Yohannes Tona, Alicia Wiley at Sol Testimony’s Soul Jam, The New Congress at Babalu, Willie Murphy at the Viking Bar and Wain McFarlane & Jahz at Lucille’s Kitchen. Dwight Hobbes still drops in at the occasional open mic around town. www.myspace.com/dwighthobbesmusic